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Wes Maebe
Wes Maebe (born December 29, 1977), is a record producer and mixing engineer. Wes's credit came when he worked with artist's like Sting, The Kooks, The Buzzcocks and Cat Stevens, amongst others - including distinguished classical pianist Alfred Brendel.
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Early life[edit]
Born and raised in Belgium,Wes Maebe moved to London to study audio technology in 1998, returning to live here in 2003. Initially dividing his time between being a visiting lecturer in Audio Technology at City of Westminster College and building a client base for freelance recording, mixing, mastering and live work,Wes Maebe moved to full-time engineering in 2006.
Career[edit]
Wes has mastered more than 100 albums in the last couple of years for everyone from Sex Pistols' Glen Matlock to folk heroes Fairport Convention, punk icons Stiff Little Fingers, New Model Army and even senior citizen sensations The Zimmers! Wes has worked as a front of house engineer in over 300 venues and festivals all over Europe, and has toured with artists as varied as Sting, Chaka Khan, Hugh Cornwell, seminal goth band Specimen heavy metal rockers Exit 10 and classic blues/rock singer Deborah Bonham, sister of the late-lamented John Bonham. He's played John Bonham's gong too!
He's worked in some of the loveliest studios in London, including Mickie Most's RAK, Trevor Horn’s Sarm West and Mark Knopfler's private paradise, British Grove. In these studios he has recorded and mixed for artists like Alexandra Burke, Elliott Randall, Melanie C, Beverly Knight and Mo Foster. Wes is on the Board of the APRS - the Association of Professional Recording Services - and is a regular reviewer for Audio Pro International magazine, in which he also has his own column, which means he gets to play with lots of lovely new gear for nothing.....
Discography[edit]
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- Albums + Singles-Abstract Source,produced by Wes Maebe (2010)
- Tender Lullaby-Ann Malone, produced by Wes Maebe (2008)
- EP-B-Side 45, produced by Wilkinson/Wes Maebe (2010)
- Her Favourite Flower-Chris Flegg, produced by Wes Maebe (2009)
