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Sir Cecil Walter Hardy Beaton

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Sir Cecil Walter Hardy Beaton (1904 January 14 – 1980 January 18) was an English fashion and portrait photographer and a stage and costume designer for films and the theatre.

Biography[edit]

Born in Hampstead to a society family, Beaton was fascinated by the society magazines and the images within. Educated at Harrow, when he was age 11 Beaton's grandmother bought him a Kodak 3A Camera, a popular model which was renowned for being an ideal piece of equipment to learn on. Beaton began to teach himself the basics of photography and would often get his sisters and mother to sit for him. When he was sufficiently proficient, he would send the photos off to London society magazines, often writing under a pen name and ‘recommending’ the work of Beaton.[1]

Despite having little or no interest in academia, Beaton moved on to St John's College, Cambridge, and studied history, art and architecture. Beaton continued his photography, and through his university contacts managed to get a portrait sitting with the Duchess of Amalfi - actually George "Dadie" Rylands, and as Beaton recalled years later: "It was a slightly out-of-focus snapshot of him as Webster's Duchess of Malfi standing in the sub-aqueous light outside the men's lavatory of the ADC Theatre at Cambridge."[2] The resulting images gave Beaton his first ever piece of published work when Vogue magazine bought and printed the photos.[3]

Beaton left Cambridge without a degree in 1925, but only coped with salaried employment in his father's timber business for eight days.[4]

Photography[edit]

Beaton designed book jackets and costumes for charity matinees, learning the professional craft of photography at the studio of Paul Tanqueray, until Vogue took him on regularly in 1927.[5] He also set up his own studio, and one of his earliest clients and, later, best friends was Stephen Tennant; Beaton's photographs of Tennant and his circle are considered some of the best representations of the "Bright Young Things" of the twenties and thirties.

He was already taking photographs for the British edition of Vogue in 1931 when George Hoyningen-Huene, who was a photographer for the French Vogue traveled to England with his new friend Horst. Horst himself would begin to work for French Vogue in November of that year. The exchange and cross pollination of ideas between this collegial circle of artists across the Channel and the Atlantic gave rise to the look of style and sophistication for which the 1930s are known.[6]

Beaton is best known for his fashion photographs and society portraits. He worked as a staff photographer for Vanity Fair and Vogue in addition to photographing celebrities in Hollywood.

Beaton's first camera was a Kodak 3A folding camera. Over the course of his career, he employed both large format cameras, and smaller Rolleiflex cameras. Beaton was never known as a highly skilled technical photographer, and instead focused on staging a compelling model or scene and looking for the perfect shutter-release moment.

Beaton often photographed the Royal Family for official publication. Queen Elizabeth, the Queen Mother was his favourite Royal sitter, and he once pocketed her scented hankie as a keepsake from a highly successful shoot. Beaton took the famous wedding pictures of the Duke and Duchess of Windsor (wearing an ensemble by the noted fashion designer Mainbocher).

During the Second World War, Beaton was initially posted to the Ministry of Information and given the task of recording images from the home front. During this assignment he captured one of the most enduring images of British suffering during the war, that of three-year-old Blitz victim Eileen Dunne recovering in hospital, clutching her beloved teddy bear. When the image was published, America had not yet officially joined the war - but splashed across the press in the USA, images such as Beaton’s helped push the American public to put pressure on their Government to help Britain in its hour of need.[7]

Beaton had a major influence on and relationship with two other leading lights in British photography, that of Angus McBean and David Bailey. McBean was arguably the best portrait photographer of his era - in the second part of McBeans career (post war) his work is clearly heavily influenced by Beaton, though arguably McBean was technically far more proficient in his execution. Bailey was also enormously influenced by Beaton when they met whilst working for British Vogue in the early 60's, Bailey's stark use of square format (6x6) images bears clear connections to Beatons own working patterns.

Stage and film design[edit]

File:Bookcover-hepburn-by-beaton.jpg
The cover of Cecil Beaton's Fair Lady Beaton's diary of working on the film

After the war, Beaton tackled the Broadway stage, designing sets, costumes, and lighting for a 1946 revival of Lady Windermere's Fan, in which he also acted.

His most lauded achievement for the stage was the sets and costumes for Lerner and Loewe's My Fair Lady (1956), which led to two Lerner and Loewe film musicals, Gigi (1958) and My Fair Lady (1964), both of which earned Beaton the Academy Award for Costume Design.

Additional Broadway credits include The Grass Harp (1952), The Chalk Garden (1955), Saratoga (1959), Tenderloin (1960), and Coco (1969). He is the winner of four Tony Awards.

Later life[edit]

In 1972, he received his knighthood, but suffered a major stroke two years later. It took several months of recovery before he realised one side of his body would be permanently paralysed. Although he learnt to write and draw with his left hand, as well as having all his cameras adapted, Beaton became frustrated by the new limitations the stroke had put upon his work.

As a result of his stroke, Beaton became anxious about financial security for his old age and, in 1976, entered into negotiations with Philippe Garner, expert-in-charge of photographs at Sotheby's. On behalf of the auction house, Garner acquired Beaton's archive - excluding all portraits of the Royal Family, and the five decades of prints held by Vogue in London, Paris and New York. Garner, who had almost singlehandedly invented the photographic auction, oversaw the archive's preservation and partial dispersal, so that Beaton's only tangible assets, and what he considered his life's work, would ensure him an annual income. The first of five auctions was held in 1977, the last in 1980.

By the end of the 1970s, Beaton's health had faded to that of an old man. In January 1980, he passed away during the night at his grand home in Salisbury.[8]

Personal life[edit]

Though primarily homosexual — the great love of his life was the wealthy art collector Peter Watson - he did have relationships with women, including the actress Greta Garbo and socialite Doris Castlerosse. He claimed that his heterosexual virginity was taken by American socialite Marjorie Oelrichs. Beaton also claimed to have had an affair with the American actor Gary Cooper, who was a close friend of his for many years.

Portfolio of works[edit]

Notable Photographs[edit]

  • Elizabeth II's Coronation, 1953.
  • Audrey Hepburn, 1964.
  • Bomb Victim, 1940.
  • Dame Edith Sitwell, 1956.

Books[edit]

  • Ashcombe The Story of a Fifteen-Year Lease,1949
  • Persona Grata, 1953.
  • Indian Diary and Album
  • The glass of fashion
  • My Bolivian aunt: a memoir
  • My royal past
  • Chinese Diary and Album
  • Japanese
  • Ballet
  • Portrait of New York
  • Self-portrait with friends : the selected diaries of Cecil Beaton 1926-1974.
  • The wandering years; diaries, 1922-1939.
  • The years between; diaries 1939-44.
  • The strenuous years, diaries 1948-55.
  • The restless years : diaries, 1955-63.
  • The parting years : diaries, 1963-74.
  • The Unexpurgated Beaton: The Cecil Beaton Diaries as He Wrote Them, 1970-1980.
  • Beaton in the Sixties: The Cecil Beaton Diaries as He Wrote Them, 1965-1969
  • Cecil Beaton's 'Fair Lady', (1966) (diary excerpts and costume sketches)
  • The face of the world : an international scrapbook of people and places.
  • I take great pleasure.
  • Quail in Aspic: the life story of Count Charles Korsetz

Exhibitions[edit]

Major exhibitions have been held at the National Portrait Gallery in London in 1968 and in 2004.

The first international exhibition in thirty years, and first exhibition of his works to be held in Australia was held in Bendigo, Victoria from 10 December 2005 to 26 March 2006.

References[edit]

  1. ↑ http://www.fyne.co.uk/index.php?item=207
  2. ↑ http://findarticles.com/p/articles/mi_qn4159/is_20040201/ai_n12750408
  3. ↑ http://www.fyne.co.uk/index.php?item=207
  4. ↑ http://findarticles.com/p/articles/mi_qn4159/is_20040201/ai_n12750408
  5. ↑ http://findarticles.com/p/articles/mi_qn4159/is_20040201/ai_n12750408
  6. ↑ http://www.time.com/time/magazine/article/0,9171,740948-1,00.html
  7. ↑ http://www.fyne.co.uk/index.php?item=207
  8. ↑ http://www.fyne.co.uk/index.php?item=207

External links[edit]

This article is based on a GNU FDL LGBT Wikia article: Beaton Cecil Beaton LGBT
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