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Radical cheerleading

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The Resistin Radicatz, a radical cheerleading group, do a cheer in front of AFL-CIO headquarters in Washington before joining the Million Worker March at the Lincoln Memorial.

Radical cheerleading is a form of cheerleading that originated in Florida, but has now spread across the United States as well as Canada, Europe and beyond. The idea is to ironically reappropriate the aesthetics of cheerleading, for example by changing the chants to promote feminism and left-wing causes.Many radical cheerleaders (some of whom are male, transgender or non-gender identified are in appearance far from the stereotypical image of a cheerleader.

Radical cheerleaders often perform at demonstrations. They also often perform at feminist and other radical festivals and events. Radical cheerleading is used at demonstrations to promote a radical message in a media-friendly, people-friendly way. It is also used to support the actions of other activists who put themselves at physical risk and to denounce infiltrators and opponents.[unverified] Radical cheerleaders may also perform on stage at music venues, to bring political issues (as well as entertainment) to an unsuspecting crowd. Chicago's Lickity Split cheerleaders frequently used this tactic.

One of the most notable radical cheerleading appearances was at the March for Women's Lives in Washington, DC on April 25, 2004. The cheerleaders had their own feeder march and bloc within the larger march with over 2,000 participants. The group's purpose was to raise awareness about the lack of access low-income women have to abortion clinics.

Radical cheerleaders are often anti-authoritarian and anti-capitalist.Their cheers are usually written from scratch or by rewriting the words of popular and historic songs. Radical cheerleaders dress in diverse ways but often wear a combination of red or pink and black.

Some radical cheerleaders make pom-poms using garbage bags by folding them in half, tying off one side with a rubber band and then cutting strips from the other end.


Further reading[edit]

  • "Rhyme and Reason," Spin Magazine, March 2002.
  • Adams, Natalie Guice; Pamela Bettis (2003-11-08). Cheerleader!: an American icon, p. 36–39, Palgrave Macmillan.
  • Foust, Christina R. (2010-06-30). Transgression as a mode of resistance: rethinking social movement in an era of corporate globalization, p. 191–97, Lexington Books.

External links[edit]


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