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G. B. Jones

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This is about the person. For the book of her art, see G.B. Jones (book).

G.B. Jones is an influential artist, filmmaker, and musician from Toronto.

From the early eighties to the late nineties, she performed with the all-women experimental post punk band Fifth Column, playing drums and guitar and was one of the founders of the group. The band's first album To Sir With Hate, released in 1985, included the song "The Fairview Mall Story" which inspired the queercore movement, as did the fanzine J.D.s, which G.B. founded and co-published with Bruce LaBruce. The first issue of the zine also appeared in 1985, the intitials 'J.D.s' standing for 'Juvenile Delinguents'. J.D.s released a cassette tape entitled J.D.s Top Ten Tape and the two editors held J.D.s movie nights in London, Toronto, Montreal and San Francisco, showing their no budget films made on Super 8.

G.B. Jones has directed, and appears in, a number of underground films. She starred in No Skin Off My Ass; her own films have all been made on Super 8. The Troublemakers premiered in 1990 and proved influential although rarely screened. Her best known work is The Yo-Yo Gang, a 30 minute 'exploitation' movie about girl gangs that has gained cult status. The film stars a number of well-known musicians, including Fifth Column members Caroline Azar and Beverly Breckenridge.

Fifth Column went on to release three singles and two more albums: All-Time Queen Of The World and their last, 36-C, containing their best-known and most controversial song "All Women Are Bitches", chosen "Single of the Week" by the UK paper Melody Maker.

She is well known for her appropriation and re-interpretation of the fetish art of Tom of Finland, through her series of 'Tom Girl' drawings. These drawings first came to public attention through the zine J.D.s, which was published from 1985 till 1991. In 1996 a gallery in New York released a book of the drawings, and other artwork, entitled G.B. Jones, with commentaries by Kevin Killian, Dodie Bellamy, Dennis Cooper and others. Although widely available in the U.S. and Europe, copies were seized at the Canadian border and it was officially pronounced banned in Canada.

In 1991, G.B. and a rotating roster of editors, including Jena von Brücker, Rex, Johnny, Caroline Azar and several others released the often contentious zine Double Bill, frequently referred to as an 'anti-zine' or 'hatezine' (as opposed to 'fan'-zine), a new category in the self-publishing world. Five issues were produced, the last one in 2001.

Her work has been printed in a wide variety of media including fanzines, magazines, books, posters, t-shirts, and on record, cassette and CD covers. As well, her drawings have been shown in art galleries and museums throughout Europe, Canada and the United States.

Films

Printed Works

  • G.B. Jones, edited by Steve LaFreniere, Feature Publications, 1996
  • Double Bill, edited by Caroline Azar, Jena von Brücker, G,B, Jones, Johnny Noxzema, Rex, Issues 1-5, 1991 to 2001

References

  • Spencer, Amy; DIY: The Rise Of Lo-Fi, Marion Boyars Publishers, London, England, 2005 ISBN 0-7145-3105-7

External links


This article is based on a GNU FDL LGBT Wikia article: B. Jones G. B. Jones LGBT